JANE B. SINGER
"Objectivity" is both much-revered and much-maligned as a core normative component of U. S. journalism.
BY JAY BLACK
In 1976, when John Hulteng's The Messenger's Motives was published, I was an eager-beaver young professor who had just gotten tenure and was teaching the typical range of courses that are the lot of those in that position: media and society, reporting, editing, and press criticism.
BY RALPH BARNEY
Journalists specifically, and media people generally, need to periodically reset their moral compasses to offset human tendencies to drift on the sea of ethics. The uproar surrounding Don Imus' stupid-sexist, racist-remark about the Rutgers University women's basketball team offers several lessons and gives media people an opportunity to hone their moral sensitivities.
BY JOHN C. MERRILL
The Mass Media System is King. At least in America where reality is strained through a distorting image-making information machine. Bowing before this King are politicians, financiers, advertisers, athletes, musicians and actors, book authors, lawyers, academicians, assorted criminals-even presidents and elite leaders from every social sphere.
BY RUSSELL FRANK
Among the "action steps" recommended in 2005 by the Commission on the Role of the Press in a Democracy headed by Geneva Overholser was for journalists to "enhance transparency."
BY MICHAEL BUGEJA AND JANE PETERSON
Media blogs increasingly have held traditional news outlets accountable for their errors. One such Web site, "Regret the Error" (http://www.regrettheerror.com/), holds media accountable for their corrections.
BY BRYAN E. DENHAM
In 1972, the United States Supreme Court held in Branzburg v. Hayes (408 U.S. 665) that working journalists can be required to testify in federal court regarding illegal activities about which they may have information, even when the journalists have promised their news sources confidentiality.
BY RICHARD CREW
After producing television magazine programs and documentaries for 14 years in Los Angeles, I closed my production company to begin doctoral studies. One year later, Survivor debuted. As the "reality television" fad snowballed, I became curious about the ethical principles producers apply when they create "reality" television.
GARY GUMPERT AND SUSAN DRUCKER
For students of the visual media, Eadweard Muybridge is a well-known figure. His photographs, taken for racing aficionado and governor of California Leland Stanford, proved that all four hooves of a galloping horse are briefly but simultaneously off the ground.
BY ROBERT GARDNER
I propose that, in film's very nature, somewhere embedded in its formal attributes as a mediator of the phenomenal world, there arises a capacity for evoking moral responses in those who come in contact with it.
BY ROBERT FULTON
The primordial fall from a state of grace indicates that we are perpetually immersed in a condition of moral ambiguity. The artist both addresses the predicament and seeks transcendence through image catharsis.
BY JUDY BULLER
The Hutchins Commission on Freedom of the Press released its report in 1947. During this, its 60th anniversary, it is appropriate to revisit the roots of social responsibility, particularly to examine the forms its descendants have taken.
spans the globe for "Ethicalia," minutia about media ethics
This bibliography was compiled by using the terms "media ethics" and "journalism ethics" while searching the ComAbstracts and Communication and Mass Media Index databases for articles published in the 16 journals of the National Communication Association and its regional affiliates for the period January 1, 1987 through February 23, 2007.